The space in between. In between two paper turkeys that hang on the wall from over a year ago. Above the kitchen table, many meals shared. The crows cawing loud today. What are you cawing about crow? September heat rot summer figs. Dried dark purple corpses, tears down the middle, reminiscence of pink and yellow juicy insides. The leaves on the fig tree so large now, they canopy the sand box, crisp dried fig leaves crunch under my feet. I walk to my green chair I put in the corner at the beginning of summer. I sit down, it’s cool here, the coolest place around. I wonder if I should put away the trucks for the winter? Will they deteriorate if I leave them out in the rain and wind? Should I put up new paper turkeys? These are baby paper turkeys, just dollops of paint, glue, brown and orange construction paper, and googly eyes. Jack and Fiona are three and a half now. Their Thanksgiving decorations this year will be more sophisticated. A few little baby paintings are still taped on the wall. Fiona is drawing “The Green Faced Man” now. Jack rode a scooter down the sidewalk this morning to school and stopped at all the driveways. Time that passes between is a growing time, a learning time. It’s hard to let it go, of the past three years, the baby phase. It slipped through my hands like sand in the sand box. The narrative was set, predetermined. The baby is born dependent on the caregivers, the child learns to be interdependent and become caregivers themselves. I never think about the time they spend away, in their communities without me. I think of them as they are with me. Fiona started helping a younger child we were with yesterday in a very mature way. I can only imagine she is a caring person on the outside. Jack likes talking to everyone. He looks older than he is and speaks clearly. He looks at people’s eyes when having a conversation. What’s happened in between the spaces here- two babies have grown into confident, individual children. Maybe it’s time for new paper turkeys.
Category: being a mom and an artist
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Myanmar Refugees, earthquake and hurricane victims stain my paper. Ghosts. Shadows illuminated by the sparkly Autumn light. The world is a cruel place. Studio, Children; sanctuaries; escapes into creativity. In the morning, while we are waiting for the bus, Fiona hands me a little cream-colored kitty cat. She has all her little stuffed animals. “let’s go to grandpas” she says. “O.K.” I say. We walk the teddies as we crawl across the driveway. Fiona’s tights get dried leaves all over them. Jacks upstairs, I get this moment alone with Fiona in our magical space. She sees her shadow, makes it grow and shrink. She gets on the bus for school, I wave good bye.
In my studio Ghosts grow. Marks, drips and drops. My time goes by way too fast. Studio days, gone for the week. Today I sat on the deck taking a break from the studio. I remember sitting in the same place, or in the back yard. Listening to Blue Jays and crows, just like today. Having the luxury of time, so much time for the studio. I could keep working non-stop. Now time is precious, both time in the studio and time with my family. It’s good to have restraints, balance. Responsibility.
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A bra is part of a costume. I see it now so clear. Mama, mama, mama. I understand now. We use it for our armor. We use it on our bodies. Protecting us. Protecting them. We use it all the time. It’s so tight and suffocating. Suffocating. Mama, mama, mama, mama, mama. What do you want this time? I’m telling you the answers, no I’m shouting. Oh, babies, babies, babies Can you hear me? You say mama mama, mama, mama, mama. To ask me something. But I have a question for you. Do you think that your body is your own? Do you think you need to hide it from the world? Do I tell you that’s just the rules? Don’t show your vagina in public. Don’t show your penis. And when you get breasts, don’t show those either. That’s just the rules here. Obey and fall in line.
I tell this rule and that rule. The rule the world before them told me. The world I sift through, sometimes on quick sand, sometimes on ice, sometimes on green grass. I look around my studio. Drawings and marks, paint. The real world. My best world. No questions being asked of me, no roles to play or armor to wear. Or is my armor my paint? My paint brush armed with green, yellow, dark blue, palette knife white. Scraping and staining, forming a protective mesh between me and the outside world? It doesn’t matter. I just do it. I work and experiment and ruin. I have time. Time to layer and scrape. Time to mash and spread. All the time in the world. Just as the moments pass away they come just as quickly, one day running out. There’s still the same amount of moments each day until that last day. We have all the time in our world to make a mess, make a masterpiece, make a statement, make nothing, make everything.
The doorway to nowhere but the big blue ocean. That always open doorway. The crevices I crawl in and out of. Again, I crawl into the crevice that says women must cover their breasts while in public. Why? I think it’s an outdated law. If men are allowed women are allowed.
