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Dirty Laundry Blog by Jennifer Hynes

  • Finally I was asked the question; my age when I had Jack and Fiona; she was worried she was too old to have a baby.

    October 10th, 2016

     Naptime. Jack and Fiona sleeping, I just finished my paintings for the day. Was a good session. The opening of SIMPATICO on Friday was a huge success. It was great to be back in the East Bay! I love Oakland. I am surprised that I was able to get right back into things with a passion. Many times after a show, especially one that I work so much for, I take time off, relishing in my accomplishment. But this time I feel like the opening was just more inspiration for my continued work, right now that is predominately painting. I was surprised people didn’t respond to my tiny little paintings I painted last week, I love them. They are dark though, and dark works don’t seem to be very saleable. That doesn’t matter too much though because I must paint what comes out of me regardless of what people like. But I have been consciously changing my palette’s and experimenting with lighter colors. I am pleased with what I came up with today.

    Over the weekend I attended a bridal shower. It was really nice, I didn’t know anyone there, except my friend getting married, so I met a lot of people. One of the women and I started a conversation, her sister is pregnant with twins and my friend told them about Jack and Fiona. At one point I asked her if she had kids. She did not. The woman told me about her horrific and painful experience she went through trying to start a family, sometimes saying sorry as if she was telling me too much. She felt like it wasn’t going to happen for her and questioned her age, if she was too old now.  She said, “Can I ask you a question?” I said yes. “How old were you when you had your babies?” she asked. Oh my god, I thought. All the time I worried about my age, the ticking clock, calculating “if I get pregnant this month I’ll still be under forty when I have a baby” Month after month, year after year, until there was no more under forty. “I was 42 when Jack and Fiona were born” I told her. “But I tried for ten years and I had to use a gestational carrier and an egg donor to finally have kids.” We talked and talked for a long time. I gave her my number and e-mail address and said I was here for her if she wanted to talk or cry or yell!

    I was so concerned with my age, my inability to “make a baby” of my own, in my own body. I read articles with opposing views on age, on how women shouldn’t have kids when they are “Too old”. I read the hateful words of people condemning surrogacy. I worried about what the other moms at the park would think of me. What my kids would think of me. I worried about my skin, my varicose veins, how my body wasn’t smooth and tight like a twenty-five-year-old. Would my kids think I was ugly and old? Once when they were babies someone asked me if I was their grandma. I was distraught. I had to fight hard not to let that get to me. Not to care what other people think of me, my age. Now I am completely comfortable with myself, my age, being a mom. I was so cruel to myself. I read someone said he was sick of women playing the victim, in regards to the Trump pussy thing, the sexism, and Hilary. I don’t think women are playing the victim. We are the victims of sexism and ageism. It’s everywhere, it’s institutionalized just like racism. I am thankful I woke up and saw that my “thinking I was too old” to be a mom had NOTHING with the way I felt physically it had to do with a constant bombard and conditioning to think once we are past our fertile stage we are done. We are no longer young, able to raise babies. As my baby calls me from his room. Naptime is over. Time to be mom. To finish an un-edited rambling post today I’ll just add I’m proud of my 45-year-old self. I am proud of Hilary Clinton and think she’ll be a great president! Pussy’s rule! Older women rise up and don’t take any shit!!!

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  • Note Book Project and Show opening tonight!

    October 7th, 2016

    Oh my Gosh! Tonight is the night!  Carl and my show is opening at The Fourth Wall Gallery! The show looks awesome. I have made some new works for the bin, which now will include works over $250 because they are just so good! Some will now be $350, which is still a great deal. I really hope we get some art lovers who will loosen those purse strings! Buy Art! I have included two of my “Notebooks” in the show. They are “Journey into Abstraction” and “The lives of the Painters” they are part of a series of “Scrap Books” I’ve been working on since 2014.  I sometimes call them my “Note book project”, or “re-purposed journal project”. Some of the books created also fall under a project I am currently involved in with GAP, “The Global Art Project”. This project is called Dis/locations; (The Lives of The painters falls under this umbrella as a solo entry)

    “Journey into Abstraction” was started in December 2014. I was beginning to explore non-objective abstract painting. I would lay out 20 or 30 pieces of paper at a time, some of it re-purposed prints, some new paper; I worked mainly on the floor, using acrylic paint, watercolor, charcoal, graphite, water based oils, reacting to marks and colors. When I started thinking too much the work was ruined. I am interested in Wabi Sabi philosophies and kept the ideas in my mind as working; mistakes became the work, running off the edges, stream of consciousness, making marks from my gut. Out of hundreds of paintings I selected my “most successful” and put them in this journal. It is a documentation of time and exploration of paint.

     

    “The Lives of the Painters” began in the actual book, The Lives of the Painters. It was an old book my mom had; I found it at her house after she had died. I always wanted to do something with it but was intimidated to work in a “Book”. I got acquainted with the process in an old medical dictionary that was part of a colab GAP book. Carl had made a few marks, then passed it to me. Every day I painted I would paint in that book as well, or draw.  I passed that book back to Carl and we started two more collaborative books that belonged to the same batch of old books I found at my mom’s house.  One was an Italian Poem book. Working in these books, I felt connected to my mom, I thought about how she would have loved to participate in this project. I started my solo, “The lives of the Painters” almost a year ago. The first thing I reacted to was the book was filled with male artists only. I got mad several times and too aggressive with the book. It didn’t take long before the whole binding was ruined and fell apart. I was disappointed. But I decided to use a black artists sketch book like I did in “Journey Into Abstraction” to save what I could, which turned out to be a lot. In this book I added collage and work on both sides of the pages. I would attach one side and respond to it on the other page, much like we do when working collaboratively with another person. I was very happy with the end result. I never work in my studio now without working on my notebook projects. It’s part of my process.

    I would like visitors to the gallery to feel free to look through my books, take time with them, touch them.

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  • A journal: 20 Days during the Pandemic. Getting back in the studio. Daily Writing and Studio Practice September 21st to October 10th 2020.
  • Blog
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  • My Peloton version 2
  • Portfolio
  • Random Tips for twin parents

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