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  • A journal: 20 Days during the Pandemic. Getting back in the studio. Daily Writing and Studio Practice September 21st to October 10th 2020.
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www.jennyhynes.com/

Dirty Laundry Blog by Jennifer Hynes

  • The Good Luck

    May 8th, 2021

    Focus on the good luck

    The rocket lands in the ocean

    By sheer luck nothing catches on fire this weekend,

    We are healthy- alive- under quiet dry skies,

    Birds chirp, leaves rustle, even as you scroll the News like you know you shouldn’t

    You see the tragedy, worse than you can imagine in terms of Doomsday Scenarios,

    But somehow you give yourself permission to not let it send you back into the cave,

    You’ve got the walk, you’ve got the talk,

    Time to be brave.

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  • Finding Rest in the Morning Light

    May 8th, 2026
    An abstract portrait featuring a figure with dark patches and chaotic lines, set against a yellow background.

    Friday Morning Light

    I get myself out of bed.
    I can feel the tightness across my back, neck, and head.
    My stomach kind of hurts. My legs ache.

    I remember I signed up for OT, then I remember — it’s supposed to be my rest day.

    My wall is plastered with printouts of my schedule.

    I rattle the dishwasher open, freeing my cup from clanking glass, tin, and white rubber-coated dish holders gripping it in place.

    I put on the kettle and the toaster, another morning ritual.

    Once my coffee is ready, I say to myself, “I’m just gonna drink this. I’m gonna have this. I’m gonna try to go to the gym.”

    Next thought: “Maybe I’ll cancel the gym because it is supposed to be a rest day.”

    I sit on the couch after trying to wake myself up with coffee and toast. It feels good. My kitty cat comes and lays by me. Everything is OK.

    My son wakes up, comes and sits by me, and watches TV.

    I can’t keep my eyes open and say to myself, “I’ll just rest my eyes for a few minutes and cancel the gym.”

    I lean back and use my son’s blanket. I think about how I normally avoid my kids’ blankets — sticky with old food, snot, life — but at this moment that dirty blanket feels like the best thing I’ve ever touched.

    I lay my head back, and it’s that kind of exhaustion where I’m so tired it seems like I can’t get comfortable. I decide to call in sick to work too.

    Only after I finally admit I’ve hit a wall do I notice the morning light again. There is a slight breeze outside. Garbage trucks whoosh gently through the neighborhood, old brakes screeching somewhere in the distance while crows gather in the trees, crying out in that strange way they do before sunrise.

    As the crows crow, I watch to see if my cats lift their furry heads toward the sound, but they don’t. They continue sleeping, ignoring it altogether.

    My legs are heavy under my blankets. I sit in bed writing and worrying:

    What about work?
    What about the emails?
    What about the people counting on me?
    What about all the unfinished things?

    I take a deep breath. I start trying to come to terms with my need to rest. And not feel guilty.

    Yesterday after work, I took my daughter to the climbing gym.

    I smell the climbing gym before I even reach it, passing the batting cages where I leave my son. Ropes hang high from above, dangling loose or attached to gravity-defying bodies. Soft, squishy mats sit beneath brightly colored routes with sculptural holds. Overhangs my daughter can do. I look at them and think I will never be able to do an overhang like that.

    Voices shout reminders to the top floor of the cavernous space. A few teen boys launch themselves off bouldering walls with fearless bodies that still trusted gravity.

    And there I was.

    Middle-aged.
    Exhausted.
    But determined and proud of myself for sticking to the plan.

    My daughter moved confidently across the wall, explaining routes, encouraging me, teaching me things. A quiet confidence I hadn’t seen before.

    This morning I sat under the fig tree by the sandbox. I like to take my cats for walks down there. In summer, the blue jays leave figs ripped open, exposing red and green flesh warm from the sun. Figs lay across the ground in varying degrees of decomposition.

    I can smell the sweet lantana blooming nearby. I used to bring my kids down to the sandbox. As the fig tree grew, it started giving us shade.

    I would write out there and draw in my notebooks while the babies buried trucks and played with water, making mini lakes.

    Now the sandbox is mostly used by cats.

    The fig tree’s branches are thick and strong. The leaves overlap and make a beautiful, soft rustle in the wind.

    Every year the leaves fall.
    Every year they return.

    It’s always been one of my favorite places on earth.

    An abstract artwork depicting a figure with a blurred outline, using earthy tones and light brush strokes on a textured background.

    This week stretched me thin.

    Professionally.
    Emotionally.
    Physically.

    This is what I needed today. To rest under the fig tree.

    The jasmine is blooming outside.
    The crows are still arguing in the trees.
    My arm still hurts.
    My body is tired.

    I can feel parts of myself returning.

    The artist.
    The writer.
    The woman who once painted during nap times because making something beautiful felt necessary for survival.

    I don’t have a polished ending for this.

    Only fragments.

    The smell of chalk dust.
    The sound of crows.
    Morning light through a cracked bedroom door.
    Teenagers laughing.
    Cats wandering in and out of the house.
    The fig tree growing quietly while none of us noticed.

    And somewhere inside all of it, the realization that a meaningful life may not be about balance at all.

    Maybe it’s about returning.
    Again and again.

    To the people you love.
    To the work that matters.
    To yourself.

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  • A Year in the Life (or: How I Somehow Decided to Climb a Mountain)

    May 3rd, 2026



    A Year That Cracked Me Open

    There are years that pass in a blur,
    and then there are years that crack you open.

    This was one of those years.

    I was cracked open like an egg.
    Yellow yolk dripping down my body—
    thick, warm, impossible to contain.

    Hansa yellow.

    My yellow.
    The one I use in my paintings.
    The one that feels like sun.

    In my studio, in Martinez California, my happy place.

    I set up my paper, I pin a piece to the wall, I mix my yellow paint, add some water so it loosens up. I smell opening and expression.

    My eyes feel a rush of lightness as my brush glides over the paper; yellow drips slide down and drip on the floor as if they were meant to be there.

    Bright.
    Alive.
    Still there… even when everything else feels like too much.


    The washing machine beeps.
    The dryer stops.

    Time to switch the laundry.

    Home Again.

    Again.
    And again.
    And again.

    There is something about that repetition that keeps me tethered.
    Even when I hate it—
    I need it.


    I spent most of this year inside a classroom,
    holding space for kids who are trying to exist in a world
    that doesn’t always fit them.

    Kids who need more time.
    More patience.
    More understanding.

    Kids who, in many ways, are braver than most adults I know.


    It was my first time having chairs thrown at me.
    Water bottles.

    I saw a child in so much anguish—
    not yellow, not light—

    red.

    Seeing red.

    And something in me broke open again.

    That egg cracking.
    That yellow spilling everywhere.

    But this time it didn’t feel like light.
    It felt like I was losing something.

    Sinking.
    Deeper.
    And deeper.


    How do I hold all of this?

    How do I help them
    without losing myself?

    Is there enough yellow inside me
    to keep shining
    while I’m absorbing so much of their pain?


    I missed my studio.

    I missed the quiet.
    The canvas waiting.
    The feeling of picking up Hansa yellow
    and placing it—intentionally—on the surface.

    Not spilled.
    Not accidental.
    Not leaking out of me.

    But chosen.

    Placed.
    Bold.
    Alive.

    I haven’t really been back since my fall show.

    And that absence…
    has its own kind of ache.


    Some days I came home
    and went straight to bed.

    Still in my clothes.
    Under the covers.

    Answering emails I shouldn’t have answered.
    Trying to hold everything together
    from a place that had nothing left.

    I thought about quitting more than once.

    Maybe three times.

    Maybe more.


    And yet—
    alongside my students—

    I kept working.

    We did social emotional lessons.
    We wrote.
    We tried again.

    And I did it with them.

    Not above them.
    With them.


    I started therapy.

    Every week.

    I fought for myself
    the same way I fight for my students.

    And slowly—
    I realized something uncomfortable:

    I was asking them to do hard things every day.

    And I had stopped doing that for myself.


    So I signed up to climb a mountain.

    A real one. Near Mammoth Lakes.

    With ropes.
    Ice picks.
    Fear.

    I signed the waiver.
    I paid the fee.

    I said yes.


    I’m 55.

    My body has stories now.
    Diagnoses.
    Fears I didn’t used to carry.

    Family history that sits heavy in my chest.

    But something in me shifted.

    I don’t want to live afraid anymore.

    I want the sun.
    I want the yellow.
    I want the climb.


    I’ve been training.

    At Orangetheory Fitness
    On treadmills.
    On inclines that burn.

    At Gravity Vault
    Where I’ve learned that strength
    is not the same thing as confidence.

    I took a class and had my worst fall.

    And ever since—

    I hesitate.

    I question every step.
    Every hold.

    Am I doing this right?


    Which feels familiar.

    Because that’s what this year has been.

    Am I doing this right—

    as a teacher?
    as an artist?
    as a leader?
    as a mom?


    And still—

    I kept going.

    I kept choosing light.
    Even when it felt thin.

    There is still a stain of that slight yellow tint.

    The stain that makes you wonder, when did that happen?

    Can I excavate it and make it bright again?

    I kept believing that something better is possible—
    for my students,
    for my school,
    for myself.


    Some days I got it right.

    Some days I didn’t.

    But I didn’t stop.


    And now I’m here.

    At the edge of something new.

    Training to climb higher than I ever have—

    and realizing
    I’ve been climbing all along.


    I used to write more.

    I even wrote a book once—Naptime Paintings —
    in a different season of my life.

    I stopped writing
    because life got full.

    Because I wasn’t sure what I had to say.


    But maybe this is it.

    Not the mountain.

    Not the perfect version of anything.


    But the crack.

    The spill.
    The mess.

    And the choice—
    to take that yellow
    and place it back into the world

    on purpose.

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  • Art Show!!!! Studio 55 Martinez!!! Opening Today 1-4 September 28th! 2025!

    September 28th, 2025

    Wow!!!! It’s been so long since I have wrote on my lonely Blog!

    First update on my life:

    I have been working very hard as an Education Specialist K-5.

    I am going on my 3rd year as a special education teacher and I really love my job.

    But, it’s been difficult to have a work life balance and often my art practice gets put at the bottom of the list.

    This summer I rented a studio in Martinez, Ca.

    I worked a ton in the summer.

    I also stated a new Collaborative project with GAP: Global Art Project.

    Dislocations: Books and Frags show. I hope you can make the show.

    Co- curated Carl Heyward, Akiko Suzuki, Jenny Hynes

    I am so proud of the GAP participating artists and how the show came out!

    And proud of myself for pulling this off!

    Here are some images!

    I also have a new series of work framed for you to see!

    Jenny Hynes
    Set up
    Carl Heyward, Jenny Hynes, Akiko Suzuki, Teryn Brown

    Big Beautiful Book Installation

    Books and Frag Art
    The Eve of Carl Heyward Hard at Work preparing our labels!
    New Framed Works By Jenny Hynes
    GAP:Dislocations Books and Frags Show!

    Studio 55

    Dislocations: Books and Frags Show

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  • A journal: 20 Days during the Pandemic. Getting back in the studio. Daily Writing and Studio Practice September 21st to October 10th 2020.
  • Blog
  • Catitudes
  • Dirty Laundry Blog
  • My Peloton version 2
  • Portfolio
  • Random Tips for twin parents

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