“Don’t have kids” I was told. “You can’t be a serious artist and have kids”. My legs got weak. My friend said the teacher of the art class and she were talking about me, that I shouldn’t get pregnant, I shouldn’t have kids. That I was a good artist, if I had kids I wouldn’t have time? Be taken seriously? This was right at the beginning of me trying to get pregnant. Years later, right before Jack and Fiona were born, I was turned on to a fabulous artist by one of my teachers. She lent me his catalogue. I took it and read it. He did wonderful paintings and studies. He did travel diaries which he worked on abroad for a year. I read he had kids and I became obsessed about who took care of the kids. It was the wife. She stayed home and took care of the kids while he went on a yearlong painting residency in a tropical rainforest. Is that why I was told women artists who are also mothers can’t become serious artists because it would be difficult to pick up and leave the children when they are young for a year to do a serious yearlong art residency? Or that we can’t just work in the studio all day long. We have responsibilities in home. Why can a woman have a full-time job and be a mother, but not be a serious artist? Why did my friend and my teacher tell me this? I looked through a book last night, a survey of contemporary painters. There are several women in the book, and it’s filled with top notch paintings. I read through the writings about the different artists. I noticed no one mentioned children, having children, how domesticity has influenced their work. There are a lot of fiber arts that deal with subjects of domesticity, but it’s mostly a direct connection with a material used in domestic products; fabrics, yarn, embroidery, wool, using these materials in new and interesting ways. My work uses traditional picture making materials, paint, paper, glue, charcoal, pastels, canvas, wood, the printing press, even my Nap Time Notebooks are in traditional sketchbooks. But my identity as an artist has been very influenced by my childhood, my relationship with my mom and her death, parenthood, wifehood, domesticity. It’s filled with memories through color and line. Raising children is emotional, my work is emotional. Was their critique of me having children saying I didn’t have it in me to do both? I wouldn’t work hard enough, or I didn’t want it bad enough? I remember my mom telling me I would never be able to be a serious artist because I would never be able to spend hours alone in my studio. After my declaration of becoming an artist she found out that she was wrong, that I did have it in me to spend countless hours working in my studio. Thank God for the women in my life who said, “Go for it”! Have kids and be an artist. Thank you, Ladies! It wasn’t easy, making time for my studio after Jack and Fiona were born. But I did it and I wrote a book about it too.